WORKS
- Genre
-
Musical education
- Choir
- Counterpoint
- Dictation
- Direction
- Exam study manuals
- General music pedagogy
- Harmony
- Hearing
- Illustrations / Posters
- Improvisation / Sight reading
- Instrument methods
- Instrument pedagogy
- Instrumental study repertoire
- Instrumentation and orquestration
- Musical language
- Solfège
- Templates
- Theory and analysis
-
Incidental music
-
Lined paper
-
Flamenco
-
Religious music
-
Classical / contemporary
-
Modern music
-
Folk music / traditional
-
Musicology
-
Divulgation
-
Games and hobbies
-
Music therapy
-
Children / Youth
-
- Instruments
- Ensemble
- Difficulty level
- Period
- Genre
SOPORTE
Search
Find here: books, scores, composers, digital pieces, cd's
Best-selling works
Our classics
Newsletter
I wish to be informed of the news about your music
We have received your e-mail correctly
Multimedia
Evocaciones
Materiales de orquesta sinfónica en alquiler
Symphonyc Orchestra
BLANCAFORT, ManuelBLANCAFORT, ManuelBLANCAFORT, ManuelReg.: B.3190o
- Ensemble: Symphonic orchestra: .
- Genres: Classical / contemporary: Symphonic.
- Language: Español / Castellano
- Product format: Particellas
- Difficulty level: Advanced-superior
- Period: 2nd half S. XX - XXI
- Publishing house: Editorial Boileau
- Measure: 0,00 x 0,00 cm
- Lenght: 20'
- Available in digital: No
- Available for rent: Yes
2[1.2/pic] 2[1.2/Eh] 2 2 — 4 2 0 0 — tmp+2 — hp — pf/cel — str
perc: cym, sd, tri, bd, ttam
The work Evocaciones (1969) [Evocations] by Manuel Blancafort was commissioned by the Orquesta de la Radio-Televisión Española (RTVE), which premiered it in February 1970 in Madrid conducted by Vicente Spiteri. The work is dedicated to the son of the composer Alberto Blancafort, who was also a conductor.
Of an approximate duration of twenty minutes, Evocaciones is divided into three movements, two of which are divided into two parts at the same time. The first movement consists of “Inquietud” and “Voces dispersas”; the second, of “Crepúsculo” and “Cementerio”; and the third -without division- is called “Corranda”.
Manuel Blancafort himself confessed that a large part of the work was based on themes written by him during the years 1918 and 1920. The last movement, the corranda, was a composition of more recent date.
The idea for this composition came to him as a result of the publication of his Cants íntims, published in Paris in 1924. The diffusion of his work led the critics to regret that despite having a natural abundance of ideas, he did not translate them more often to paper. From that moment on, the composer decided to reserve his sketches more often in order to expand and orchestrate them in the future. After so long postponing this work, the commission from RTVE offered him the propitious occasion to realize it
I. Inquietud
II. Voces dispersas
III. Crepúsculo
IV. Cementerio
V. Corranda