WORKS
- Genre
-
Musical education
- Choir
- Counterpoint
- Dictation
- Direction
- Exam study manuals
- General music pedagogy
- Harmony
- Hearing
- Illustrations / Posters
- Improvisation / Sight reading
- Instrument methods
- Instrument pedagogy
- Instrumental study repertoire
- Instrumentation and orquestration
- Musical language
- Solfège
- Templates
- Theory and analysis
-
Incidental music
-
Lined paper
-
Flamenco
-
Religious music
-
Classical / contemporary
-
Modern music
-
Folk music / traditional
-
Musicology
-
Divulgation
-
Games and hobbies
-
Music therapy
-
Children / Youth
-
- Instruments
- Ensemble
- Difficulty level
- Period
- Genre
SOPORTE
Search
Find here: books, scores, composers, digital pieces, cd's
Best-selling works
Our classics
Newsletter
I wish to be informed of the news about your music
We have received your e-mail correctly
Multimedia
En el aire
Divertimento para violín y piano
Violín y Piano
AMARGÓS, Joan AlbertAMARGÓS, Joan AlbertAMARGÓS, Joan AlbertReg.: B.3426
21,60 €
P.V.P. (VAT included 4%)
Add to cart
- Ensemble: Duos: With piano.
- Genres: Classical / contemporary: Chamber.
- Product format: Partitura + particellas
- Difficulty level: Advanced-superior
- Period: 2nd half S. XX - XXI
- Publishing house: Editorial Boileau
- Collection: Siglo XXI
- No. of pages: 36+12
- Measure: 31,00 x 23,00 cm
- Lenght: 10'
- ISMN: 979-0-3503-0387-6
- Available in digital: No
- Available for rent: No
Work devoted to Agustín León Ara, to show affection both for his educational work and for their tireless dissemination of Spanish music through his repertoire.
The work, in its formal aspect, is essentially monothematic and practices the taste for the variations of the chamber music, creating the illusion of a "sonata", but in this case its development evolves in a single movement. The different moods are supported either by the different "tempos" and the use of harmony in its broadest sense. En el aire (On the air) breathes a clear Spanish accent and a markedly Mediterranean ambience.
From the “Liberamente e molto rubato" of the beginning, it’s passed to a contemplative movement, "Quiet", based on the expressive character of the violin. All leads to an incisive and rhythmic "Allegro", where the spirit of the piano and the violin will remain alive until the conclusion of the work.
Joan Albert Amargós
2003